Issue 15, Page 1
Transcript
Panel 1:
2038, Julia kneels before a closet in her living room. A long window runs along a semi-circular wall, her clothes hanging outside. Inside the closet is a shrine; Julia lights candles surround a small marble statue.
Julia: Air’asha, who brought us fire, who broke the chains of slavery so we may roam freely…
Guide me: unlock the strength to overcome the trials of life…
Panel 2:
The statue of Air’asha is a female figure with multiple arms and a serpent-like lower body. Carved onto the pedestal below it is the key-like symbol on Julia’s necklace.
Julia (off-panel): For the future is dark, the desert sands are endless…
Panel 3:
Julia averts her gaze, smiling and fiddling with her hair, which is cut a little shorter in the front.
Julia: Aaand I totally have a real date and I don’t want to look like an idiot.
Panel 4:
Julia kneels in front of the small idol, pensive and thoughtful.
Panel 5:
A similar view and pose in a dark room: Rhoda kneels, surrounded by candles, hunched over a strip of paper with a tin of paint.
Panel 6:
Rhoda has a vacant expression, as if not truly awake.
Panel 7:
On the wide canvas paper, she paints words and shapes, as though automatic writing.
Interesting glimpse into the religious mythology of this comic. So it seems that some of their “gods” may be representative of the things Rhoda saw in her vision. So there’s a question of if there are any “good” things out there…or are they all animals/monsters that exist to devour?
Oh man!
I didn’t see that before: in the middle of Rhoda’s painting, it looks like she’s written the word, “LIAR”.